Wednesday, August 21, 2013
Tuesday, August 20, 2013
Curly corn
Fusilli with Corn Sauce
from Joe Yonan's "Eat Your Vegetables: Bold Recipes for the Single Cook"
3 ounces whole wheat fusilli, farfalle or other curly pasta
2 ears fresh corn
1 Tbsp. extra-virgin olive oil
1/2 large onion, chopped (about 3/4 cup)
1 clove garlic, thinly sliced
2 Tbsp. freshly grated Pecorino Romano cheese
salt
freshly ground black pepper
4 fresh basil leaves, stacked, rolled and thinly sliced
Bring a large pot of salted water to a boil and cook the pasta until it is al dente.
While the pasta is cooking, shuck the corn and rinse it under running water, removing as many of the silks as you can with your hands. Rub one of the ears over a coarse grater set over a bowl to catch the milk and pulp. Cut the kernels off the other cob with a knife; keep the whole kernels separate from the milk and pulp.
Pour the oil into a large skillet set over medium heat. When the oil starts to shimmer, add the onion and garlic and saute until tender. Add the corn kernels and saute for just a few minutes, until the corn softens slightly and brightens in color. Stir in the corn milk and pulp and turn off the heat. Cover to keep warm.
When the pasta is al dente, drain it (reserving 1/2 cup of the pasta water) and add it to the skillet with the corn sauce. Toss to combine, adding a little pasta water if the sauce needs loosening. Stir in the cheese, then taste and add salt as needed and grind in plenty of fresh black pepper. Stir in the basil, scoop everything into a bowl, and eat. Makes 1 serving.
from Joe Yonan's "Eat Your Vegetables: Bold Recipes for the Single Cook"
3 ounces whole wheat fusilli, farfalle or other curly pasta
2 ears fresh corn
1 Tbsp. extra-virgin olive oil
1/2 large onion, chopped (about 3/4 cup)
1 clove garlic, thinly sliced
2 Tbsp. freshly grated Pecorino Romano cheese
salt
freshly ground black pepper
4 fresh basil leaves, stacked, rolled and thinly sliced
Bring a large pot of salted water to a boil and cook the pasta until it is al dente.
While the pasta is cooking, shuck the corn and rinse it under running water, removing as many of the silks as you can with your hands. Rub one of the ears over a coarse grater set over a bowl to catch the milk and pulp. Cut the kernels off the other cob with a knife; keep the whole kernels separate from the milk and pulp.
Pour the oil into a large skillet set over medium heat. When the oil starts to shimmer, add the onion and garlic and saute until tender. Add the corn kernels and saute for just a few minutes, until the corn softens slightly and brightens in color. Stir in the corn milk and pulp and turn off the heat. Cover to keep warm.
When the pasta is al dente, drain it (reserving 1/2 cup of the pasta water) and add it to the skillet with the corn sauce. Toss to combine, adding a little pasta water if the sauce needs loosening. Stir in the cheese, then taste and add salt as needed and grind in plenty of fresh black pepper. Stir in the basil, scoop everything into a bowl, and eat. Makes 1 serving.
Friday, August 16, 2013
Tuesday, August 13, 2013
Apron strings
Back in the day, cooks at home — my mother among them — wore aprons.
She wore one in the kitchen when she peeled and chopped vegetables, prepped fish in the sink, and stir-fried meats in a well-seasoned wok, the ventilation fan whirling overhead. She wore one outside the kitchen when she brought plates of food to the dining table and cleared the dishes afterward.
My mother put on an apron automatically, like a second layer of clothing. She picked up a knife or a spatula with one hand, an apron with the other. She protected her dresses from spills and splatters. She alternated among four or five aprons and washed them in the machine with the rest of our laundry.
She wore floral prints in reds and yellows, and styles with flat fronts and decorative hems. In the pockets, my mother stashed Kleenex. She sewed her own aprons, customizing them to suit her small frame. (Back in the day, people at home sewed.)
These days, it seems, cooks at home seldom wear aprons. Not the ladies on the Food Network. Not when they chop onions on a board or grill meats on the stovetop. In front of cameras, under the lights, they hardly worry about spills or splatters.
Sandra Lee, Ingrid Hoffmann and the incessantly perky Rachael Ray tend to wear form-fitting V-neck or scoop-neck tops and tees in their television kitchens. They never get flour in their impeccably styled hair. They never spill a thing on their undeniably fashionable outfits. It is, of course, make-believe.
In my local newspaper a short while back, I learn of a great-grandmother in an Oakland suburb with a remarkable collection of more than 200 aprons.
The oldest, the reporter noted, is a flour-sack apron from a century ago. (I'm not sure what that is, really, but it doesn't sound entirely flattering.) One of the newest is a full-length barbecue apron with large pockets and the words "Sexy Senior Citizen."
"Put on an apron and tie it," the collector told the reporter, as gently and sweetly as a great-grandmother would. "The tighter you tie it, the bigger the hug."
But the article doesn't tell me everything. I do not know, for instance, how the woman acquires her aprons. Does she shop actively for them or receive them as presents? (Both perhaps.) Where does she keep them? How does she sort them? By color? Fabric? Which ones does she actually wear? Most of all, what does she cook?
Aprons, I realize, have long been synonymous with domesticity. They have been linked inevitably to physical work on farms and in kitchens.
"Homesteading alongside the men," Ellyn Anne Geisel writes in "The Apron Book: Making, Wearing and Sharing a Bit of Cloth and Comfort," "women tucked their dresses into apron waistbands to clear and plow the fields, then unfurled the aprons to carry grain to the chickens, gather eggs and harvest vegetables from the garden."
In
the years following World War II, the garments grew increasingly
popular among middle-class housewives, Geisel notes. The designs at that
time reflected "their aspirations to be modern, social and stylish.
Fabrics were bold with color, and adornments became more playful."
Eventually, there were theme aprons and holiday aprons, and aprons that matched potholders or tablecloths. There were aprons that sported cartoon graphics or witty phrases. There were casual aprons made of cotton and fancy aprons made of silk, organza or taffeta. There were practical aprons, like my mother's, and not-so-practical aprons.
Most home cooks these days, I suspect, prefer function to form. They would do without trims or ruffles, selecting comfortable, straightforward bib aprons in a range of colors.
I take an informal poll among friends my age. Some have aprons, others don't. Some wear aprons, others don't.
Sunah, for example, bought a cute apron a short while ago, but seldom uses it. She doesn't want to get it dirty, she says. I laugh. It is black and white with illustrations of fish, fruits and condiments. The creases of the original folds are still visible.
Cynthia owns a couple of aprons. On a trip to Italy last fall, she says, she bought another one as a souvenir. It has different breads across the front. But alas, she seldom wears any of them.
(This from a woman who collects recipes and cookbooks religiously, who has been known to make cinnamon rolls on Christmas morning, and rugelach, brownies and chocolate-chip cookies for various potlucks — from scratch. Surely, she must put on an apron then, right?)
Jamie, for his part, says he doesn't wear a thing when he, ahem, cooks in the kitchen. He's got a wicked sense of humor, I remind myself. He tries to take the conversation to a whole other place. But I don't let him.
Do many my age eschew aprons? I wonder. Is it an either/or? Do we pride ourselves on not wearing aprons, occasionally not even owning one, as if domesticity was something to be frowned upon? As if our education and experience ought to keep us away from the stove?
Our hectic lives take us inside courtrooms and conference rooms. They chain us to our desks and chairs. They make us stay in front of our computers. Work we do now is often unlike work our mothers did, and work our grandmothers and great-grandmothers did before them.
Perhaps we don't need aprons in the kitchen if we're simply taking delivery pizzas out of cardboard boxes and putting them onto plates. We don't need them if we're moving plastic containers from freezers into microwaves. We don't need them if we're eating cereal for supper.
I, for one, like to think I can have it both ways.
Like my friends, I spend decent chunks of time at a computer, reading, researching, writing and editing, working. My mind is often preoccupied. I can't be bothered with food.
On the other hand, I am like my mother. Is this what I have secretly feared? In the kitchen, when I make it there, I do my best to not be wasteful. I reuse pieces of aluminum foil if I can and takeout containers when possible.
In front of the stove, at the chopping board, I wear an apron. Always. Not the floral prints or decorative hems my mother favored, but the simple patterns and solid colors I prefer. I reach for an apron on Wednesday nights, for instance, when I carve out time to try new recipes. I rinse my hands quickly and wipe them on my hips. I turn on the radio for company.
I pull one on over my pajamas bright and early Sunday mornings, before I've even washed the sleep from my eyes or brushed my teeth, to measure flour and sugar for cobbler or coffeecake. The anticipation builds. I reward myself at the end of a busy week and the beginning of another.
I make a mess on the counter without making a mess on myself. I tie the apron tight.
(A version of this essay appeared originally at www.culinate.com.)
She wore one in the kitchen when she peeled and chopped vegetables, prepped fish in the sink, and stir-fried meats in a well-seasoned wok, the ventilation fan whirling overhead. She wore one outside the kitchen when she brought plates of food to the dining table and cleared the dishes afterward.
My mother put on an apron automatically, like a second layer of clothing. She picked up a knife or a spatula with one hand, an apron with the other. She protected her dresses from spills and splatters. She alternated among four or five aprons and washed them in the machine with the rest of our laundry.
She wore floral prints in reds and yellows, and styles with flat fronts and decorative hems. In the pockets, my mother stashed Kleenex. She sewed her own aprons, customizing them to suit her small frame. (Back in the day, people at home sewed.)
These days, it seems, cooks at home seldom wear aprons. Not the ladies on the Food Network. Not when they chop onions on a board or grill meats on the stovetop. In front of cameras, under the lights, they hardly worry about spills or splatters.
Sandra Lee, Ingrid Hoffmann and the incessantly perky Rachael Ray tend to wear form-fitting V-neck or scoop-neck tops and tees in their television kitchens. They never get flour in their impeccably styled hair. They never spill a thing on their undeniably fashionable outfits. It is, of course, make-believe.
In my local newspaper a short while back, I learn of a great-grandmother in an Oakland suburb with a remarkable collection of more than 200 aprons.
The oldest, the reporter noted, is a flour-sack apron from a century ago. (I'm not sure what that is, really, but it doesn't sound entirely flattering.) One of the newest is a full-length barbecue apron with large pockets and the words "Sexy Senior Citizen."
"Put on an apron and tie it," the collector told the reporter, as gently and sweetly as a great-grandmother would. "The tighter you tie it, the bigger the hug."
But the article doesn't tell me everything. I do not know, for instance, how the woman acquires her aprons. Does she shop actively for them or receive them as presents? (Both perhaps.) Where does she keep them? How does she sort them? By color? Fabric? Which ones does she actually wear? Most of all, what does she cook?
Aprons, I realize, have long been synonymous with domesticity. They have been linked inevitably to physical work on farms and in kitchens.
"Homesteading alongside the men," Ellyn Anne Geisel writes in "The Apron Book: Making, Wearing and Sharing a Bit of Cloth and Comfort," "women tucked their dresses into apron waistbands to clear and plow the fields, then unfurled the aprons to carry grain to the chickens, gather eggs and harvest vegetables from the garden."
Eventually, there were theme aprons and holiday aprons, and aprons that matched potholders or tablecloths. There were aprons that sported cartoon graphics or witty phrases. There were casual aprons made of cotton and fancy aprons made of silk, organza or taffeta. There were practical aprons, like my mother's, and not-so-practical aprons.
Most home cooks these days, I suspect, prefer function to form. They would do without trims or ruffles, selecting comfortable, straightforward bib aprons in a range of colors.
I take an informal poll among friends my age. Some have aprons, others don't. Some wear aprons, others don't.
Sunah, for example, bought a cute apron a short while ago, but seldom uses it. She doesn't want to get it dirty, she says. I laugh. It is black and white with illustrations of fish, fruits and condiments. The creases of the original folds are still visible.
Cynthia owns a couple of aprons. On a trip to Italy last fall, she says, she bought another one as a souvenir. It has different breads across the front. But alas, she seldom wears any of them.
(This from a woman who collects recipes and cookbooks religiously, who has been known to make cinnamon rolls on Christmas morning, and rugelach, brownies and chocolate-chip cookies for various potlucks — from scratch. Surely, she must put on an apron then, right?)
Jamie, for his part, says he doesn't wear a thing when he, ahem, cooks in the kitchen. He's got a wicked sense of humor, I remind myself. He tries to take the conversation to a whole other place. But I don't let him.
Do many my age eschew aprons? I wonder. Is it an either/or? Do we pride ourselves on not wearing aprons, occasionally not even owning one, as if domesticity was something to be frowned upon? As if our education and experience ought to keep us away from the stove?
Our hectic lives take us inside courtrooms and conference rooms. They chain us to our desks and chairs. They make us stay in front of our computers. Work we do now is often unlike work our mothers did, and work our grandmothers and great-grandmothers did before them.
Perhaps we don't need aprons in the kitchen if we're simply taking delivery pizzas out of cardboard boxes and putting them onto plates. We don't need them if we're moving plastic containers from freezers into microwaves. We don't need them if we're eating cereal for supper.
I, for one, like to think I can have it both ways.
Like my friends, I spend decent chunks of time at a computer, reading, researching, writing and editing, working. My mind is often preoccupied. I can't be bothered with food.
On the other hand, I am like my mother. Is this what I have secretly feared? In the kitchen, when I make it there, I do my best to not be wasteful. I reuse pieces of aluminum foil if I can and takeout containers when possible.
In front of the stove, at the chopping board, I wear an apron. Always. Not the floral prints or decorative hems my mother favored, but the simple patterns and solid colors I prefer. I reach for an apron on Wednesday nights, for instance, when I carve out time to try new recipes. I rinse my hands quickly and wipe them on my hips. I turn on the radio for company.
I pull one on over my pajamas bright and early Sunday mornings, before I've even washed the sleep from my eyes or brushed my teeth, to measure flour and sugar for cobbler or coffeecake. The anticipation builds. I reward myself at the end of a busy week and the beginning of another.
I make a mess on the counter without making a mess on myself. I tie the apron tight.
(A version of this essay appeared originally at www.culinate.com.)
Monday, August 12, 2013
On breakfast
The hobbits had it right all along, Heather Arndt Anderson says. Their
lives in the shire afforded them six meals a day, "three of which (occurred)
before lunch: breakfast, second breakfast, and elevenses..." J.R.R. Tolkien was
onto something.
In her literary paean to the morning meal, "Breakfast: A History," Anderson provides historical,
social and cultural perspectives on breakfast consumption. She occasionally
references foods traditionally eaten in other countries, looking at jook (rice porridge) in China, for
example, and platters of "fresh-baked flatbread with spreadable yogurt cheese
called labneh or crumbly feta cheese,
olives, figs and cucumbers" in the Middle East.
For the most part,
however, the author focuses on matutinal meals in the United States and by
extension England.
She gives beverages such as coffee, tea and orange juice their
due. Coffee "as it is known today," for example, became popular in "Europe and the Americas by the mid-17th century."
She provides significant
background on the cold-cereal industry and major players like Kellogg and Post,
and describes many of the ways people like to eat their eggs in the morning, whether scrambled, fried or soft-boiled...
Further talk of where people actually have their breakfasts sometimes – in B&Bs,
for example, coffeehouses, diners, mess halls and school cafeterias – enliven
the narrative as well. They help to round out her well-researched
but not overwhelming discussion, a nice addition to the ever-growing food-studies
field.
(A version of this review appeared originally at Publishers Weekly.)
(A version of this review appeared originally at Publishers Weekly.)
Tuesday, August 6, 2013
Peachy keen
Usually a ripe peach in and of itself is perfect enough. Sometimes, though, a little dressing-up is equally fine.
One-Peach Crisp with Cardamom and Honey
from Joe Yonan's "Eat Your Vegetables: Bold Recipes for the Single Cook"
1 large ripe peach, halved and pitted
1 to 2 tsp. honey
1/8 tsp. ground cardamom
1/3 cup granola, preferably one with nuts and dried fruit
ice cream
Preheat the oven to 350 degrees F.
Put the peach halves, cut sides up, in a small baking dish. Drizzle with 1 teaspoon of the honey and sprinkle with the cardamom.
If the granola includes dried fruit, pick out the fruit pieces and reserve them. Pack the granola onto the peach halves. If your granola isn't on the sweet side, feel free to drizzle on the remaining 1 teaspoon of honey.
Bake the peach until it is soft when you pierce it with a fork, about 20 to 25 minutes. Remove from the oven, let cool for a few minutes, then sprinkle with the dried fruit reserved from the granola. Add the scoop of ice cream and eat it while it's warm. Makes 1 serving.
One-Peach Crisp with Cardamom and Honey
from Joe Yonan's "Eat Your Vegetables: Bold Recipes for the Single Cook"
1 large ripe peach, halved and pitted
1 to 2 tsp. honey
1/8 tsp. ground cardamom
1/3 cup granola, preferably one with nuts and dried fruit
ice cream
Preheat the oven to 350 degrees F.
Put the peach halves, cut sides up, in a small baking dish. Drizzle with 1 teaspoon of the honey and sprinkle with the cardamom.
If the granola includes dried fruit, pick out the fruit pieces and reserve them. Pack the granola onto the peach halves. If your granola isn't on the sweet side, feel free to drizzle on the remaining 1 teaspoon of honey.
Bake the peach until it is soft when you pierce it with a fork, about 20 to 25 minutes. Remove from the oven, let cool for a few minutes, then sprinkle with the dried fruit reserved from the granola. Add the scoop of ice cream and eat it while it's warm. Makes 1 serving.
Tuesday, July 30, 2013
Thursday, July 25, 2013
Love and pasta
"I'd heard that snacking and small dishes called meze were a big part of Turkish cuisine, but I hadn't expected the diversity.
"Bites of seafood ranged from fried mussels bathed in a sauce of lemon, bread crumbs and ground walnuts to pickled herring stuffed with olives and bell peppers.
"The intense sweets included fried balls of dough basted in thick honey to chewy squares of Turkish delight dusted with powdered sugar and infused with different fruits or exotic flavorings, such as mastic, a tree sap that tasted like earthy spearmint.
"And there were heavenly slices of flaky baklava crammed with pistachios and drenched in syrup, in a shop that smelled of warm butter."
Jen Lin-Liu in "On the Noodle Road: From Beijing to Rome with Love and Pasta"
"Bites of seafood ranged from fried mussels bathed in a sauce of lemon, bread crumbs and ground walnuts to pickled herring stuffed with olives and bell peppers.
"The intense sweets included fried balls of dough basted in thick honey to chewy squares of Turkish delight dusted with powdered sugar and infused with different fruits or exotic flavorings, such as mastic, a tree sap that tasted like earthy spearmint.
"And there were heavenly slices of flaky baklava crammed with pistachios and drenched in syrup, in a shop that smelled of warm butter."
Jen Lin-Liu in "On the Noodle Road: From Beijing to Rome with Love and Pasta"
Tuesday, July 16, 2013
Summer pie
There is nothing like hours of Garrison Keillor live on stage to inspire strawberry and rhubarb pie days later. And so strawberry and rhubarb pie it is.
Friday, June 28, 2013
Food positive
Food blogger and neuroscientist Darya Pino Rose maintains her weight,
she says proudly and sheepishly, by eating whatever she wants. And what she
wants is "healthy food most of the time." She seldom craves sweets.
In her
food-positive self-help volume "Foodist: Using Real Food and Real Science to Lose Weight Without Dieting," Rose rejects deprivation: "Shouldn't there be more to life than constantly denying yourself the things
you enjoy?" She bemoans regimens such as Atkins and Weight Watchers.
Instead,
in addition to what we eat, she encourages readers to pay attention to how and
why we eat. These elements can significantly impact long-term health.
She coins cringe-worthy terms
like "foodist" and "healthstyle." Her discussion can get
awkward amid amateurish writing. And she pulls quotes from random places (Yoda,
for one).
For the most part,
however, Rose does a decent job laying out a good-food plan. She offers
advice on shopping and cooking, provides workable lists for well-stocked pantries and gathers key points into occasional sidebars: "Nine Surefire Ways to
Sabotage Your Weight Loss," "The Top 10 Most Underrated
Health Foods," "Forty-Two Code Words for Sugar."
Although nothing
in Rose's book is earth-shattering news, the enthusiasm with which she delivers
it remains accessible and encouraging.
(A version of this review appeared originally at Publishers Weekly.)
(A version of this review appeared originally at Publishers Weekly.)
Friday, June 21, 2013
Summer corn
Corn Soup with Summer Vegetables
from Michelle Obama's "American Grown: The Story of the White House Kitchen Garden and Gardens Across America"
4 to 6 ears of fresh corn, shucked and silk removed
2 sprigs fresh thyme
juice of 1/2 lemon (about 1 Tbsp.)
salt
olive oil
grilled vegetables of your choice: zucchini, summer squash, tomatoes, eggplant, peppers, mushrooms
Cut the corn off the cobs and set aside.
Place the cobs in a large pot and just barely cover with water. Bring to a boil; then lower the heat and simmer for 45 minutes to 1 hour, until the stock has a rich corn flavor. Strain the stock and set aside.
Reserve 3/4 cup of the corn kernels and place the remaining corn in a blender. Blend, starting on low speed and increasing the speed as the corn purees. You can add a little of the corn stock to get the corn started. Blend on high for 45 seconds to a minute.
Pour the pureed corn into a medium saucepan through a fine-mesh strainer to remove the bits of skin. Add the thyme and cook over medium heat, stirring frequently. You do not want the soup to boil.
As the soup heats, the natural starch will begin to thicken the soup. Once the soup has thickened, add the lemon juice and the reserved corn stock little by little until the soup reaches the desired thickness. You should have 4 to 6 cups of soup. Add salt to taste.
Heat a small frying pan over medium heat; add enough olive oil to coat the bottom of the pan. When the oil begins to smoke, add the reserved corn kernels and do not stir until the corn has a nice brown color. Stir the corn and then remove it from the heat.
Add the seared corn and any other grilled vegetable of your choice on top of the soup and serve. Makes 4 to 6 servings.
from Michelle Obama's "American Grown: The Story of the White House Kitchen Garden and Gardens Across America"
4 to 6 ears of fresh corn, shucked and silk removed
2 sprigs fresh thyme
juice of 1/2 lemon (about 1 Tbsp.)
salt
olive oil
grilled vegetables of your choice: zucchini, summer squash, tomatoes, eggplant, peppers, mushrooms
Cut the corn off the cobs and set aside.
Place the cobs in a large pot and just barely cover with water. Bring to a boil; then lower the heat and simmer for 45 minutes to 1 hour, until the stock has a rich corn flavor. Strain the stock and set aside.
Reserve 3/4 cup of the corn kernels and place the remaining corn in a blender. Blend, starting on low speed and increasing the speed as the corn purees. You can add a little of the corn stock to get the corn started. Blend on high for 45 seconds to a minute.
Pour the pureed corn into a medium saucepan through a fine-mesh strainer to remove the bits of skin. Add the thyme and cook over medium heat, stirring frequently. You do not want the soup to boil.
As the soup heats, the natural starch will begin to thicken the soup. Once the soup has thickened, add the lemon juice and the reserved corn stock little by little until the soup reaches the desired thickness. You should have 4 to 6 cups of soup. Add salt to taste.
Heat a small frying pan over medium heat; add enough olive oil to coat the bottom of the pan. When the oil begins to smoke, add the reserved corn kernels and do not stir until the corn has a nice brown color. Stir the corn and then remove it from the heat.
Add the seared corn and any other grilled vegetable of your choice on top of the soup and serve. Makes 4 to 6 servings.
Wednesday, June 19, 2013
Pineapple popsicles
"All day long I can look forward to a popsicle.
"The persistent anxiety that fills the rest of my life is calmed for as long as I have the flavor of something good in my mouth.
"And though it's true that when the flavor is finished the anxiety returns, we do not have so many reliable sources of pleasure in this life as to turn our nose up at one that is so readily available, especially here in America.
"A pineapple popsicle. Even the great anxiety of writing can be stilled for the eight minutes it takes to eat a pineapple popsicle."
Zadie Smith in "Joy" from The New York Review of Books
"The persistent anxiety that fills the rest of my life is calmed for as long as I have the flavor of something good in my mouth.
"And though it's true that when the flavor is finished the anxiety returns, we do not have so many reliable sources of pleasure in this life as to turn our nose up at one that is so readily available, especially here in America.
"A pineapple popsicle. Even the great anxiety of writing can be stilled for the eight minutes it takes to eat a pineapple popsicle."
Zadie Smith in "Joy" from The New York Review of Books
Tuesday, June 11, 2013
Peach fever
"We catch it. It invades our logic, overriding rational thought, disrupting our best-laid plans. It spreads and settles in our psyche, our emotions swell, the heart races. We call it peach fever, a love of our work and the land that burdens us with a sense of responsibility and caring. Peach fever curses us, especially when weather disasters challenge our spirit and bad prices inject a cold reality into our love affair. Peach fever can destroy and transform and lives on our farm throughout the year."
David Mas Masumoto in "The Perfect Peach: Recipes and Stories from the Masumoto Family Farm"
David Mas Masumoto in "The Perfect Peach: Recipes and Stories from the Masumoto Family Farm"
Sunday, June 9, 2013
Blue on blue
It is blueberry and peach sour cream cobbler, courtesy of Nigel Slater and "The Kitchen Diaries." It is the epitome of summer.
Tuesday, June 4, 2013
Coffeecake
The addition of instant Folgers, Nescafe or some such makes this a different kind of coffeecake. It is a recipe for something promising.
Mocha Loaf
from Donna Egan's "Ice Cream Sandwiches: 65 Recipes for Incredibly Cool Treats"
1 Tbsp. instant coffee powder
1/4 cup boiling water
1 1/4 cups all-purpose flour, plus extra for the pan
1/4 tsp. salt
1 1/2 tsp. baking powder
1/2 cup butter, at room temperature, plus extra for greasing
3/4 cup granulated white sugar
2 extra-large eggs
1/4 cup milk
1/2 tsp. pure vanilla extract
scant 2/3 cup semi-sweet chocolate chips
Preheat the oven to 350 degrees F. Grease and flour an 8 1/2- by 4 1/2- by 2 1/2-inch loaf pan.
Add the coffee powder to the boiling water and stir until dissolved. Let cool. In a medium bowl, whisk together the flour, salt and baking powder, and set aside.
With an electric mixer in a large bowl, beat the butter and sugar until creamy. Add the eggs one at a time, beating well after each addition. Add one-third of the flour mixture, mixing on low speed just until combined. Add half the milk, half the coffee and all of the vanilla extract, mixing until combined. Repeat with the flour, milk and coffee, ending with the last third of the flour mixture. Stir in the chocolate chips and pour the batter into the prepared loaf pan.
Bake for 50 to 55 minutes, until a cake tester inserted in the center comes out clean. Cool in the pan on a wire rack for 10 minutes before removing and allowing to cool fully. Use as required or store in an airtight container. Makes 10 servings.
Mocha Loaf
from Donna Egan's "Ice Cream Sandwiches: 65 Recipes for Incredibly Cool Treats"
1 Tbsp. instant coffee powder
1/4 cup boiling water
1 1/4 cups all-purpose flour, plus extra for the pan
1/4 tsp. salt
1 1/2 tsp. baking powder
1/2 cup butter, at room temperature, plus extra for greasing
3/4 cup granulated white sugar
2 extra-large eggs
1/4 cup milk
1/2 tsp. pure vanilla extract
scant 2/3 cup semi-sweet chocolate chips
Preheat the oven to 350 degrees F. Grease and flour an 8 1/2- by 4 1/2- by 2 1/2-inch loaf pan.
Add the coffee powder to the boiling water and stir until dissolved. Let cool. In a medium bowl, whisk together the flour, salt and baking powder, and set aside.
With an electric mixer in a large bowl, beat the butter and sugar until creamy. Add the eggs one at a time, beating well after each addition. Add one-third of the flour mixture, mixing on low speed just until combined. Add half the milk, half the coffee and all of the vanilla extract, mixing until combined. Repeat with the flour, milk and coffee, ending with the last third of the flour mixture. Stir in the chocolate chips and pour the batter into the prepared loaf pan.
Bake for 50 to 55 minutes, until a cake tester inserted in the center comes out clean. Cool in the pan on a wire rack for 10 minutes before removing and allowing to cool fully. Use as required or store in an airtight container. Makes 10 servings.
Friday, May 31, 2013
The art of health
When Art Smith "tipped the scales at 325 pounds" several years
ago, he signed on with a health coach who got him "walking, biking and eating
right." The man "made me sweat, made me curb my out-of-control appetite,
and taught me the value of a healthful lifestyle."
In his
self-help-cookbook hybrid "Art Smith's Healthy Comfort: How
America's Favorite Celebrity Chef Got It Together, Lost Weight, and Reclaimed
His Health," the slimmed-down restaurateur describes
recent shifts in his personal diet.
He reminds us to eat "foods as close to their whole and
most natural states" as possible, offering ideas and recipes for dishes
that are delicious and nutritious.
Breakfast might mean steel-cut oats with
Greek yogurt and blueberries, for example, or soft-poached eggs with a root
vegetable hash. Lunch could be a bowl of yellow tomato gazpacho,
three-bean turkey chili or miso corn
chowder. Salads and seafood feature prominently among his choices as
well.
Smith ("Back to the Table: The Reunion of Food and Family") includes brief sections on everyday habits, too, giving
common-sense advice on cooking oils and such.
And though name-dropping in
the narrative (Oprah Winfrey is a client, President Obama is a neighbor in
Chicago) occasionally gets annoying, it detracts little from Smith's overall
goal: to provide a practical framework for good, healthful eating.
(A version of this review appeared originally at Publishers Weekly.)
(A version of this review appeared originally at Publishers Weekly.)
Sunday, May 26, 2013
Sunday, May 12, 2013
Tuesday, May 7, 2013
Back in the kitchen
"Tony explained to the cooks the types of ingredients he was using and
why he had chosen to have them cooked in certain combinations. He
talked about the seasons, his choice of purveyors, the differences
between types of oysters, how kitchen equipment worked, and how to create
balance in a dish. Throughout the time that they met, the cooks handed
him tiny white plastic spoons to taste the food. It was a hushed
atmosphere punctuated by nervous laughter.
"The cooks, all of whom were fifteen to twenty years younger than Tony, were in awe of him, and for good reason. They were years away from acquiring his knowledge and might never be able to do so."
Scott Haas in "Back of the House: The Secret Life of a Restaurant"
"The cooks, all of whom were fifteen to twenty years younger than Tony, were in awe of him, and for good reason. They were years away from acquiring his knowledge and might never be able to do so."
Scott Haas in "Back of the House: The Secret Life of a Restaurant"
Wednesday, May 1, 2013
For the food
"It was a very odd sight, especially in a country as tightly controlled as Vietnam, and I wanted to ask someone - anyone - about it. Was the man a gangster? A cop? This was a mystery that needed solving.
"Then my food arrived. I hadn't known quite what to order, but something on the menu caught my attention: lu'o'n nu'o'ng mia. A variation on chao tom nu'o'ng, the popular dish of shrimp paste wrapped around sugarcane and grilled over charcoal, this was made instead with freshwater eel - held in place with a chive tied into a bow - and as I bit in, I fell in love.
"The eel was rich and oily, caramelized from the charcoal heat, infused with garlic, fish sauce, and the raw sweetness of the cane. And the cane itself, when I gnawed it, released a burst of sugary juice tinged with the meaty slick of the eel.
"This, I knew, was what I couldn't get back at Chez Trinh, the only Vietnamese restaurant in Williamsburg. This was why I'd picked up stakes and moved to Vietnam - for the food. The eel, in fact, was so great that I wanted to tell strangers about it, to turn to my neighbors and tell them - in English if they were tourists, in pidgin Vietnamese if not - that it justified everything."
Matt Gross in "The Turk Who Loved Apples and Other Tales of Losing My Way Around the World"
"Then my food arrived. I hadn't known quite what to order, but something on the menu caught my attention: lu'o'n nu'o'ng mia. A variation on chao tom nu'o'ng, the popular dish of shrimp paste wrapped around sugarcane and grilled over charcoal, this was made instead with freshwater eel - held in place with a chive tied into a bow - and as I bit in, I fell in love.
"The eel was rich and oily, caramelized from the charcoal heat, infused with garlic, fish sauce, and the raw sweetness of the cane. And the cane itself, when I gnawed it, released a burst of sugary juice tinged with the meaty slick of the eel.
"This, I knew, was what I couldn't get back at Chez Trinh, the only Vietnamese restaurant in Williamsburg. This was why I'd picked up stakes and moved to Vietnam - for the food. The eel, in fact, was so great that I wanted to tell strangers about it, to turn to my neighbors and tell them - in English if they were tourists, in pidgin Vietnamese if not - that it justified everything."
Matt Gross in "The Turk Who Loved Apples and Other Tales of Losing My Way Around the World"
Tuesday, April 30, 2013
Girl hunter
"They say you always remember your first time. For me it was that turkey hunt four years ago, early on a Saturday morning deep in the Arkansas Delta, in a place they call the Village. It was after a spring night spent drinking aged Scotch and smoking cigars on a wide veranda with some of the most gregarious and unpretentious Southerners I had ever encountered.
"They were well-heeled country folk who liked to live large and take no prisoners when it came to what they stood for and the life they prized. Good food was a huge part of that life, and on that particular evening before the hunt, there were rows of silver-haired men smoking cigars, mud caked to their leather boots, before a granite table bearing endless stacks of cheese and freshly baked bread, and a mound of salad that could feed a regiment.
"Meats - cacciatorini, salami, ham, pork belly, catfish, and other delectables, too - were piled high on platters, and, of course, we had collard greens with white macaroni, and chips and dips.
"And there was plenty to wash it all down: red wine, beers in large tubs with ice spilling out over the edges, and then the whiskey before the meal and after, too, when everyone moved gradually into the smoking room by the fireplace and the guitars emerged, and the loose, hard notes of the blues drifted beautifully overhead in a haze of Cuban cigar smoke, a sort of bacchanal to welcome in the warmth of spring and summer and, more important, the start of turkey season."
Georgia Pellegrini in "Girl Hunter: Revolutionizing the Way We Eat, One Hunt at a Time"
"They were well-heeled country folk who liked to live large and take no prisoners when it came to what they stood for and the life they prized. Good food was a huge part of that life, and on that particular evening before the hunt, there were rows of silver-haired men smoking cigars, mud caked to their leather boots, before a granite table bearing endless stacks of cheese and freshly baked bread, and a mound of salad that could feed a regiment.
"Meats - cacciatorini, salami, ham, pork belly, catfish, and other delectables, too - were piled high on platters, and, of course, we had collard greens with white macaroni, and chips and dips.
"And there was plenty to wash it all down: red wine, beers in large tubs with ice spilling out over the edges, and then the whiskey before the meal and after, too, when everyone moved gradually into the smoking room by the fireplace and the guitars emerged, and the loose, hard notes of the blues drifted beautifully overhead in a haze of Cuban cigar smoke, a sort of bacchanal to welcome in the warmth of spring and summer and, more important, the start of turkey season."
Georgia Pellegrini in "Girl Hunter: Revolutionizing the Way We Eat, One Hunt at a Time"
Tuesday, April 23, 2013
Fundamentalists
"I come from a family of cake fundamentalists.
"We are people of the Cake. A baby is born and welcomed with cake; there's cake for anniversaries, cake for graduating high school or college; cake for passing the bar or the CPA exam, cake for winning Second Runner-Up in the Miss Peanut pageant; cake for getting out of prison, cake for visiting kinfolk, cake for Christmas and Easter and the Fourth of July; cake when you marry, when you're sick, when you die."
Diane Roberts in "People of the Cake" in the book "Best Food Writing 2010"
Friday, April 5, 2013
"Consider the Fork"
There is a bowl I like to use for
breakfast, whether I am having cereal or oatmeal or yogurt. There is a mug I
like to use for coffee in the late afternoon. And a spoon with which I like to
stir that coffee. There just is.
I have favorites – pans and pots, bowls, cups and utensils
I pick up often and prefer over others for certain foods. We all do.
In "Consider the Fork: A
History of How We Cook and Eat," well-researched and thoroughly engaging, British
food writer Bee Wilson looks at relationships between the tools we have and the
things we make. She explores the ways in which "the implements we use in the
kitchen affect what we eat, how we eat, and what we feel about what we eat."
She compares old-school diets
with modern-day sensibilities. She gives us a highly accessible yet comprehensive
assessment of the evolution of our cooking habits, tracing, for example, our integration
over the years of fire and ice.
Wilson ("Swindled: The Dark
History of Food Fraud, from Poisoned Candy to Counterfeit Coffee")
delineates in broad terms our great reliance on heat.
Once upon a time, a single fire
from an open hearth "served to warm a house, heat water for washing, and cook
dinner. For millennia, all cooking was roasting in one form or another. In the
developing world, the heat of an open fire remains the way that the very poorest
cook."
To work effectively with that fire,
we forged "a host of related tools," including spits, spit-jacks to rotate meat,
tongs, pot hooks, drip pans, trivets, and flesh-forks for pulling pieces of
meat out of a pot. These usually had long handles and were made of heavy metal.
If we tried using short-handled
stainless steel tongs or nonstick silicone spatulas - staples in our 21st-century
kitchens - in that environment, she suggests cheekily, we "wouldn't stand a
chance. The utensils would melt. I would fry. The children would howl. Dinner
would burn." Her wit is subtle but wonderful.
These days, we are able to
utilize different heat sources. We can control fire more easily. I can adjust the
flame on my stovetop with a knob, for instance, turning the temperature up to
boil a kettle of water or down to effect a slow braise. Inside ovens, "vast communal chambers" in ancient and medieval Europe used to bake bread
for entire villages, we make cookies and cakes for ourselves.
We also now have microwave ovens.
Invented by Raytheon engineers working originally on military radar systems, they
were first sold in the 1950s. They did not hit mainstream markets, however,
until about 1967 when manufacturers got the price of a unit below $500.
By the '80s and '90s, microwaves had
become indispensable. We use them to reheat leftovers or to avoid food prep
altogether, popping in store-bought frozen entrées when we eat alone or cannot
cook. What we gain in convenience we lose unfortunately in connectedness.
Like fire, ice matters, the
author says. "The efficient home refrigerator entirely changed the way food - getting it, cooking it, eating it - fitted into people's lives."
It changed what we ate. Rather
than rely on salted meats or preserves because we had to, we could enjoy fresh
meat, milk and green vegetables whenever we wanted to. It changed how we bought
food. "Without refrigeration, there could be no supermarkets, no 'weekly
shopping,' no stocking up the freezer for emergencies."
And it affected other industries,
giving rise to products such as Tupperware, first sold in 1946, and Saran Wrap,
introduced in 1953, as well as frozen foods and beverages. Orange juice
concentrate, for example, was the most successful commercially frozen product
in post-war America, selling 9 million gallons in 1948-1949. We increased our eating
and drinking options.
What sets Wilson's discussion apart
from those of her contemporaries, though, is her additional focus on simple hand-held
tools. Like Steve Gdula ("The Warmest Room
in the House: How the Kitchen Became the Heart of the Twentieth-Century
American Home"), she examines the overall design of our cooking spaces. But to her credit, she details seemingly ordinary items, too, making her book
all the more appealing.
She pays significant attention to
smaller things, what we generally would not even think twice about, what we have
on dish racks or countertops and pick up mindlessly every day.
Take, for example, the wooden
spoon. It is at heart a low-tech gadget. "It does not switch on and off or make
funny noises," Wilson writes. "It has no patent or guarantee. There is nothing
futuristic or shiny or clever about it." Yet it is amazingly versatile.
Study it. What is it made of?
Beech or a denser maple? How is it shaped? Is it oval or round? Cupped or flat?
Has it got a pointy part on one edge "to get at the lumpy bits in the corner of
the pan"? Is the handle short, for children first learning to cook perhaps,
or longer for adults to keep spatters at bay?
Wood, she tells us, is a nonabrasive
material, too, gentle enough on pots and pans. It is nonreactive and won't
leave a metallic taste in our food. "It is also a poor conductor of heat, which
is why you can stir hot soup with a wooden spoon without burning your hand."
Above all, it is familiar. We cook with wooden spoons because we always have.
That our workspaces contain
mishmashes of old and new tools should not surprise us, Wilson says. On the
contrary, eclectic collections reflect our changing personalities. Chopping
boards sit alongside food processors. Melon ballers can be popular one year,
handheld blenders all the rage another.
We don't necessarily want to
reinvent cooking; we only want to make it easier. We learn to adapt and improve
our skills over time. In most cases, "whisks, fire, and saucepans still do the
job pretty well. All we want is better whisks, better fire, and better
saucepans."
We might inherit some things from
parents, grandparents, aunts or uncles, and receive some from friends.
Others could be gifts to ourselves. As it is with the utensils in my kitchen.
As it is, I suspect, in all our kitchens. So the food we make is not only a
combination of ingredients, she reminds us. "It is the product of technologies,
past and present." It is the result of a compendium.
(A version of this review appeared originally on www.culinate.com.)
Tuesday, April 2, 2013
Feasting
Cooking without meat in no way means cooking without flavor.
In her sixth volume, "Indian Vegetarian Feast: Fresh, Simple, Healthy Dishes for Today's Family," BBC presenter Anjum Anand ("Indian Food Made Easy") concentrates on sensible vegetarian dishes.
A London resident who visits Delhi and Calcutta regularly, she prepares mostly vegetarian foods for her husband and children. She offers ideas for meals throughout the day that privilege herbs, spices, rice, beans and whole grains.
Her "desert island ingredient would be humble Bengal gram (chana dal), a type of lentil," she writes. Highly versatile, "it can be made into a curry, stir-fried with spices into a protein-rich side dish, even used to make a dessert."
Anand combines yellow lentils with ginger and chilies to create "fluffy, spongy, savory" steamed lentil cakes, served in a spicy rasam broth.
For appetizers, she makes tandoori baby potatoes — twice-cooked potatoes with cumin, garam masala, coriander and paprika — and tops them with herbed yogurt.
To griddled zucchini carpaccio, she adds an Indian-inspired chickpea salsa "based upon a roadside chaat," drizzles pistachio dressing and scatters feta cheese.
That none of the recipes here appears excessive or inaccessible is a testament to Anand's ability to simplify ingredients and techniques. Emma Lee's bright and evocative images add class to the presentation.
(A version of this review appeared originally at Publishers Weekly.)
Friday, March 22, 2013
Throwing fish
Anyone who has been to Seattle's bustling Pike Place Market has probably seen the Fish Guys, boisterous men who "throw (and catch!) a lot of salmon," and who "give a lot of hugs (and) mug for a lot of snapshots..."
Tourist attractions to be sure, these fan favorites describe the work fishmongers like them do regularly in their book "In the Kitchen with the Pike Place Fish Guys: 100 Recipes and Tips from the World-Famous Crew of Pike Place Fish."
They discuss their livelihoods and provide handfuls of go-to recipes as well as "tips and tricks and shortcuts for busy folks."
At the shop, the crew promotes sustainable seafood, eschewing farm-raised salmon, for instance, because it is such a "resource-intensive food to produce," taking three pounds of feed to create every one pound of fish.
They don't belabor their food politics, however, and keep the overall discussion light, including recipes for festive gatherings like crab quesadillas, crab cake BLTs, gumbo and paella.
Early risers are offered breakfast recipes for a Dungeness crab and bacon quiche, and something they call Grits and Grunts. And fancier items such as Salmon Rillettes on Croustade and Calamari Persillade come courtesy of market neighbor Café Campagne, making this fun volume all the more appealing.
(A version of this review appeared originally at Publishers Weekly.)
Wednesday, March 20, 2013
Spring peas
Spring Pea Salad
from Michelle Obama's "American Grown: The Story of the White House Kitchen Garden and Gardens Across America"
2 1/2 cups shelled fresh green peas
1 small shallot, thinly sliced
1 small leek (white part only), cleaned and thinly sliced
zest and juice of 1 lemon
1/4 cup extra-virgin olive oil
1/2 cup shredded fresh mint leaves
salt
freshly ground black pepper
Bring a large pot of salted water to boil. Pour the peas into the water and cook for no more than 2 minutes. Drain and immediately plunge the peas into a bowl of ice water. Drain and pat dry with a towel. Puree 1/2 cup of the peas in a blender.
Place the peas, pea puree, shallot and leek in a medium glass or stainless steel bowl and toss gently to combine.
Add the lemon zest and juice, olive oil and mint. Season with salt and pepper and toss gently until the vegetables are coated. Serve immediately. Makes 6 to 8 servings.
from Michelle Obama's "American Grown: The Story of the White House Kitchen Garden and Gardens Across America"
2 1/2 cups shelled fresh green peas
1 small shallot, thinly sliced
1 small leek (white part only), cleaned and thinly sliced
zest and juice of 1 lemon
1/4 cup extra-virgin olive oil
1/2 cup shredded fresh mint leaves
salt
freshly ground black pepper
Bring a large pot of salted water to boil. Pour the peas into the water and cook for no more than 2 minutes. Drain and immediately plunge the peas into a bowl of ice water. Drain and pat dry with a towel. Puree 1/2 cup of the peas in a blender.
Place the peas, pea puree, shallot and leek in a medium glass or stainless steel bowl and toss gently to combine.
Add the lemon zest and juice, olive oil and mint. Season with salt and pepper and toss gently until the vegetables are coated. Serve immediately. Makes 6 to 8 servings.
Friday, March 15, 2013
Wednesday, March 6, 2013
Tuesday, February 26, 2013
Distinction
"After another five years of magazine and newspaper writing, cookbook work, and tasting menus, I had acquired an additional fifteen pounds. My heart, my gut, and my blood sugar were unimpressed by the four-star pedigree of many of those extra calories. To them, there was no distinction between a Ferran Adria tasting menu and a Colonel Sanders Variety Bucket."
Peter Kaminsky in "Culinary Intelligence: The Art of Eating Healthy (and Really Well)"
Thursday, February 21, 2013
Sunday, February 17, 2013
Benefits of broth
When the weather cools, I think
about soup. Not the tomato-based soups I tend to make, the ones I have with oyster
crackers or crusty French bread. But the Asian broths my mother makes, the ones
that simmer on the backburner in her Chinatown kitchen.
She starts a pot from scratch, building flavors with each step, each new ingredient, adjusting seasonings along the way. One day, it is a pot of watercress soup, for example. On another, it is seaweed. Some days, pressed for time, my mother works with handfuls of ground pork, slivers of tofu and cans of store-bought broth. She improvises.
She starts a pot from scratch, building flavors with each step, each new ingredient, adjusting seasonings along the way. One day, it is a pot of watercress soup, for example. On another, it is seaweed. Some days, pressed for time, my mother works with handfuls of ground pork, slivers of tofu and cans of store-bought broth. She improvises.
In "Classic Chinese Cuisine," Nina Simonds describes the prominent place
soup has on dinner tables in traditional Asian households.
"Whereas soups seem to play a
rather restricted role in western cuisine," she tells us, "in China they have a
much broader calling... In a family-style meal, soup is served along with the
other dishes to provide nourishment and to function as a beverage."
According to cookbook author Fuchsia
Dunlop, in Guangdong and other parts of southern China, it is usually eaten at
the beginning of the meal and helps to whet the appetite.
Growing up in Oakland, my
sisters, brothers and I were always instructed to finish our bowls of soup
first. Only then could we proceed with the rest of dinner. Like classmates who
had to eat their vegetables if they wanted dessert, we needed to empty our soup
bowls if we wanted rice.
But in Chengdu and other parts of
southwest China, Dunlop explains in "Land
of Plenty: A Treasury of Authentic Sichuan Cooking," soup is generally "served at the end of the meal, and its function is to cleanse the palate after
the intense, heavy flavors of a typical Sichuanese meal."
Soup, Simonds says, aids
digestion and improves circulation. "Some soups have been used for centuries to
treat certain ailments... Stocks simmered with assorted Chinese herbs were
administered for a number of maladies."
Even now, she notes, new mothers
often have a "chicken soup flavored with ginger in southern China and sesame
oil in Taiwan" every day for a month after childbirth in order to restore balance
and energy in their bodies.
Teresa M. Chen further examines the
benefits of broth in "A Tradition of Soup:
Flavors from China's Pearl River Delta." She provides substantial background
information.
"The Chinese soup tradition started
back in the old country where people knew many lean times," she writes in the
introduction. "With humble ingredients, the Cantonese prepared a flavorful soup
stock, to which practically anything on hand could be added."
Stock ingredients might include
pork neck bones, for example, or chicken rib bones. For vegetarian soups, bases
can be made with soybean sprouts, white turnips or Napa cabbage. These items are
naturally sweet.
Frugal – and smart – cooks know
instinctively that seemingly ordinary things can be useful, too. "Leftovers
such as the carcass of a roast duck or a roast turkey, trimmings from a lobster
or shrimp shells can all be turned into soup stock," she continues.
"Wealthy households and
restaurants expanded the possibilities by using a whole chicken, a whole fish or
a whole hunk of pork to make stock. After cooking for hours on end, with
medicinal herbs and complementary ingredients, the broth would be strained and
served hot."
Chen talks also about technique
and kitchen equipment, and offers a comprehensive guide to both fresh and dried
soup ingredients, including seafood and seaweed, oxtails and watercress, and a
variety of Chinese herbs. She makes these accessible.
She interviews senior citizens at
a community center in California's Central Valley, women and men who, like my
mother, understand and appreciate the nutritional value soups afford. She
collects and highlights their time-tested recipes.
Nursing a head cold and a
seriously sore throat not long ago in Las Vegas, I look to hot and sour soup for
comfort. Miles away from my mother's extensive home cooking, I rely on a restaurant
at the hotel in which my friends and I stay. I make do.
Like sweet and sour pork, for
example, or beef and broccoli stir-fry, hot and sour soup has been on menus in Chinese
restaurants across the country for decades. Unlike other Asian broths, though,
it is relatively heavy, thickened with cornstarch. It contains slivers of meat,
shiitake mushroom and tofu.
The soup, Chen explains, "was
brought to Hong Kong in the 1950s" by the Sichuanese and by those "who had been
in Sichuan during the eight-year Sino-Japanese War, which ended with the end of
World War II." It was subsequently "brought to the United States by those who
passed through Hong Kong in the 1960s" and shortly thereafter captured the
American palate.
At the table, when my friends select
noodle dishes and rice plates for lunch, I ask for hot and sour soup. I have
one bowl and another bowl and another slowly and deliberately. It is potent and
works wonders. The ginger acts as a recuperative tonic while the white pepper
and vinegar deliver a heat and intensity my body seems to need.
With over-the-counter medicine my
friends swear by, the cough drops I suck on throughout the day like candy and the
tall cups of chamomile tea I drink religiously, they help to shock my system
back into shape. They set me straight.
Thursday, February 14, 2013
Friday, February 8, 2013
"Behind the Kitchen Door"
For all its talk of organic foods and sustainability, the restaurant industry pays little mind to the health and welfare of its own low-wage employees.
In "Behind the Kitchen Door," Saru Jayaraman draws attention to servers,
bussers, runners, cooks and dishwashers across the country "struggling to
support themselves and their families under the shockingly exploitative
conditions that exist behind most restaurant kitchen doors."
Jayaraman,
co-founder and co-director with Fekkak Mamdouh of
the advocacy group Restaurant Opportunities Center United, recalls instances where wait staff at eateries in Washington, D.C., for
example, or New York City handled food when they were sick.
One woman had pink
eye; another man had contracted H1N1. Neither had sick days to use or medical
insurance. Not only did they prolong their illnesses by working, they put their
customers' health at risk.
Though the author cites studies and statistics
aplenty, it is stories like these that effectively illustrate her points.
She
also addresses racism in restaurants, where "workers got darker –
literally! – as you walked from the front door to the kitchen, and the darker
the workers' skins, the less money they were likely to earn."
In this
persuasive volume, Jayaraman
champions employee causes and argues fervently against discrimination, giving
restaurant owners, diners and readers considerable food for thought.
(A version of this review appeared originally at Publishers Weekly.)
Tuesday, February 5, 2013
Au chocolat
"Time passed, and my courses arrived. On a typical night at the Pudding, I might order an appetizer of shrimp rolled in brown-butter bread crumbs on skewers, so the oil wouldn't spread on your hands. For an entree: squab with black lentils and bacon, only in the pink light of the dining room the lentils weren't black, but blue - a deep, inky blue. And for dessert, I might ask for my favorite treat: candied violets on a lace doily. My teeth cracked open each crystalline blossom, and I could smell the sheets of wax paper they came in mingled with the sugar."
Charlotte Silver in "Charlotte au Chocolat: Memories of a Restaurant Childhood"
Charlotte Silver in "Charlotte au Chocolat: Memories of a Restaurant Childhood"
Friday, January 25, 2013
Hot dog diggity
In the cleverly titled volume "Man Bites Dog: Hot Dog Culture in America," Bruce Kraig
takes a look at the American hot dog phenomenon, giving the history and
folklore behind the foodstuff that became "quintessential public dining
treats - long before the rise of hamburgers - sold on streets, at fairs and
festivals, at picnics (weenie roasts) and in fast-food venues."
Not
surprisingly, sections on how hot dogs are actually produced, with descriptions
of "high-speed choppers" used to blend meat trimmings, spices and
other ingredients "into an emulsion or batter," can be less than
appetizing. Talk of industrial sausage machines and the "hazards of
butchery" also proves difficult to digest.
But chapters on the simple
pleasures of eating hot dogs and the ways they can be served pull
readers back in.
A fully-loaded Chicago dog, for example, "has mustard,
bright green relish, chopped onions, tomato slices, pickle slices and small
sport peppers jammed onto the bun." And currywurst, first popular in
Germany, is "covered in a sweet-hot sauce" and "served on paper
plates."
(A version of this review appeared originally in Publishers Weekly.)
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About Me
- Christina Eng
- is a writer and reviewer on the West Coast whose essays and articles have appeared in publications such as the Oakland Tribune, the San Francisco Chronicle, Budget Travel, Brown Alumni Magazine, Saveur, Relish, Gastronomica, Best Food Writing 2002, www.theatlantic.com, www.npr.org and www.culinate.com. She has a bachelor's in English from Brown and a master's in literary nonfiction from the University of Oregon. Send comments, questions and suggestions to: mschristinaeng@gmail.com.
Books I am Reading
- "James and the Giant Peach" by Roald Dahl
- "Manhood for Amateurs" by Michael Chabon
- "The Big Sur Bakery Cookbook" by Michelle and Philip Wojtowicz and Michael Gilson
- "Rustic Fruit Desserts" by Cory Schreiber and Julie Richardson
- "Toast: The Story of a Boy's Hunger" by Nigel Slater
- "Jamie at Home: Cook Your Way to the Good Life" by Jamie Oliver
- "The Gastronomical Me" by M.F.K. Fisher
- "Shark's Fin and Sichuan Pepper: A Sweet-Sour Memoir of Eating in China" by Fuchsia Dunlop
- "My China: A Feast for All the Senses" by Kylie Kwong
- "Serve the People: A Stir-Fried Journey Through China" by Jen Lin-Liu
- "Dreams from My Father: A Story of Race and Inheritance" by Barack Obama
Sites I am Surfing
Films and TV Shows I am Watching
- "Jiro Dreams of Sushi"
- "Wallace & Gromit: A Matter of Loaf and Death"
- "Gourmet's Diary of a Foodie"
- "Waitress" with Keri Russell
- "The Future of Food" by Deborah Koons Garcia
- "Food, Inc."
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