Friday, April 5, 2013

"Consider the Fork"

In the cabinets, there are chopping boards and mixing bowls, a colander and a salad spinner. Drawers contain wooden spoons, slotted spoons and spatulas. There are knives, measuring cups and can openers.

There is a bowl I like to use for breakfast, whether I am having cereal or oatmeal or yogurt. There is a mug I like to use for coffee in the late afternoon. And a spoon with which I like to stir that coffee. There just is.

I have favorites – pans and pots, bowls, cups and utensils I pick up often and prefer over others for certain foods. We all do.

In "Consider the Fork: A History of How We Cook and Eat," well-researched and thoroughly engaging, British food writer Bee Wilson looks at relationships between the tools we have and the things we make. She explores the ways in which "the implements we use in the kitchen affect what we eat, how we eat, and what we feel about what we eat."

She compares old-school diets with modern-day sensibilities. She gives us a highly accessible yet comprehensive assessment of the evolution of our cooking habits, tracing, for example, our integration over the years of fire and ice.

Wilson ("Swindled: The Dark History of Food Fraud, from Poisoned Candy to Counterfeit Coffee") delineates in broad terms our great reliance on heat.

Once upon a time, a single fire from an open hearth "served to warm a house, heat water for washing, and cook dinner. For millennia, all cooking was roasting in one form or another. In the developing world, the heat of an open fire remains the way that the very poorest cook."

To work effectively with that fire, we forged "a host of related tools," including spits, spit-jacks to rotate meat, tongs, pot hooks, drip pans, trivets, and flesh-forks for pulling pieces of meat out of a pot. These usually had long handles and were made of heavy metal.

If we tried using short-handled stainless steel tongs or nonstick silicone spatulas - staples in our 21st-century kitchens - in that environment, she suggests cheekily, we "wouldn't stand a chance. The utensils would melt. I would fry. The children would howl. Dinner would burn." Her wit is subtle but wonderful.

These days, we are able to utilize different heat sources. We can control fire more easily. I can adjust the flame on my stovetop with a knob, for instance, turning the temperature up to boil a kettle of water or down to effect a slow braise. Inside ovens, "vast communal chambers" in ancient and medieval Europe used to bake bread for entire villages, we make cookies and cakes for ourselves.

We also now have microwave ovens. Invented by Raytheon engineers working originally on military radar systems, they were first sold in the 1950s. They did not hit mainstream markets, however, until about 1967 when manufacturers got the price of a unit below $500.

By the '80s and '90s, microwaves had become indispensable. We use them to reheat leftovers or to avoid food prep altogether, popping in store-bought frozen entrées when we eat alone or cannot cook. What we gain in convenience we lose unfortunately in connectedness.

Like fire, ice matters, the author says. "The efficient home refrigerator entirely changed the way food - getting it, cooking it, eating it - fitted into people's lives."

It changed what we ate. Rather than rely on salted meats or preserves because we had to, we could enjoy fresh meat, milk and green vegetables whenever we wanted to. It changed how we bought food. "Without refrigeration, there could be no supermarkets, no 'weekly shopping,' no stocking up the freezer for emergencies."

And it affected other industries, giving rise to products such as Tupperware, first sold in 1946, and Saran Wrap, introduced in 1953, as well as frozen foods and beverages. Orange juice concentrate, for example, was the most successful commercially frozen product in post-war America, selling 9 million gallons in 1948-1949. We increased our eating and drinking options.

What sets Wilson's discussion apart from those of her contemporaries, though, is her additional focus on simple hand-held tools. Like Steve Gdula ("The Warmest Room in the House: How the Kitchen Became the Heart of the Twentieth-Century American Home"), she examines the overall design of our cooking spaces. But to her credit, she details seemingly ordinary items, too, making her book all the more appealing.

She pays significant attention to smaller things, what we generally would not even think twice about, what we have on dish racks or countertops and pick up mindlessly every day.

Take, for example, the wooden spoon. It is at heart a low-tech gadget. "It does not switch on and off or make funny noises," Wilson writes. "It has no patent or guarantee. There is nothing futuristic or shiny or clever about it." Yet it is amazingly versatile.

Study it. What is it made of? Beech or a denser maple? How is it shaped? Is it oval or round? Cupped or flat? Has it got a pointy part on one edge "to get at the lumpy bits in the corner of the pan"? Is the handle short, for children first learning to cook perhaps, or longer for adults to keep spatters at bay?

Wood, she tells us, is a nonabrasive material, too, gentle enough on pots and pans. It is nonreactive and won't leave a metallic taste in our food. "It is also a poor conductor of heat, which is why you can stir hot soup with a wooden spoon without burning your hand." Above all, it is familiar. We cook with wooden spoons because we always have.

That our workspaces contain mishmashes of old and new tools should not surprise us, Wilson says. On the contrary, eclectic collections reflect our changing personalities. Chopping boards sit alongside food processors. Melon ballers can be popular one year, handheld blenders all the rage another.

We don't necessarily want to reinvent cooking; we only want to make it easier. We learn to adapt and improve our skills over time. In most cases, "whisks, fire, and saucepans still do the job pretty well. All we want is better whisks, better fire, and better saucepans."

We might inherit some things from parents, grandparents, aunts or uncles, and receive some from friends. Others could be gifts to ourselves. As it is with the utensils in my kitchen. As it is, I suspect, in all our kitchens. So the food we make is not only a combination of ingredients, she reminds us. "It is the product of technologies, past and present." It is the result of a compendium.

(A version of this review appeared originally on www.culinate.com.)


Tuesday, April 2, 2013

Feasting



Cooking without meat in no way means cooking without flavor. 

In her sixth volume, "Indian Vegetarian Feast: Fresh, Simple, Healthy Dishes for Today's Family," BBC presenter Anjum Anand ("Indian Food Made Easy") concentrates on sensible vegetarian dishes. 

A London resident who visits Delhi and Calcutta regularly, she prepares mostly vegetarian foods for her husband and children. She offers ideas for meals throughout the day that privilege herbs, spices, rice, beans and whole grains. 

Her "desert island ingredient would be humble Bengal gram (chana dal), a type of lentil," she writes. Highly versatile, "it can be made into a curry, stir-fried with spices into a protein-rich side dish, even used to make a dessert." 

Anand combines yellow lentils with ginger and chilies to create "fluffy, spongy, savory" steamed lentil cakes, served in a spicy rasam broth. 

For appetizers, she makes tandoori baby potatoes — twice-cooked potatoes with cumin, garam masala, coriander and paprika — and tops them with herbed yogurt. 

To griddled zucchini carpaccio, she adds an Indian-inspired chickpea salsa "based upon a roadside chaat," drizzles pistachio dressing and scatters feta cheese. 

That none of the recipes here appears excessive or inaccessible is a testament to Anand's ability to simplify ingredients and techniques. Emma Lee's bright and evocative images add class to the presentation.

(A version of this review appeared originally at Publishers Weekly.)



About Me

is a writer and reviewer on the West Coast whose essays and articles have appeared in publications such as the Oakland Tribune, the San Francisco Chronicle, Budget Travel, Brown Alumni Magazine, Saveur, Relish, Gastronomica, Best Food Writing 2002, www.theatlantic.com, www.npr.org and www.culinate.com. She has a bachelor's in English from Brown and a master's in literary nonfiction from the University of Oregon. Send comments, questions and suggestions to: mschristinaeng@gmail.com.

Books I am Reading

  • "James and the Giant Peach" by Roald Dahl
  • "Manhood for Amateurs" by Michael Chabon
  • "The Big Sur Bakery Cookbook" by Michelle and Philip Wojtowicz and Michael Gilson
  • "Rustic Fruit Desserts" by Cory Schreiber and Julie Richardson
  • "Toast: The Story of a Boy's Hunger" by Nigel Slater
  • "Jamie at Home: Cook Your Way to the Good Life" by Jamie Oliver
  • "The Gastronomical Me" by M.F.K. Fisher
  • "Shark's Fin and Sichuan Pepper: A Sweet-Sour Memoir of Eating in China" by Fuchsia Dunlop
  • "My China: A Feast for All the Senses" by Kylie Kwong
  • "Serve the People: A Stir-Fried Journey Through China" by Jen Lin-Liu
  • "Dreams from My Father: A Story of Race and Inheritance" by Barack Obama

Films and TV Shows I am Watching

  • "Jiro Dreams of Sushi"
  • "Wallace & Gromit: A Matter of Loaf and Death"
  • "Gourmet's Diary of a Foodie"
  • "Waitress" with Keri Russell
  • "The Future of Food" by Deborah Koons Garcia
  • "Food, Inc."

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